Madam Laschanzky: Oboe Concerto

Cover Page of Source Material
Cover Page for Katherine Needleman's Edition
Notes included in the Piano Reduction and Oboe Part
First Page of the Piano Reduction (of 13)
First Page of the Oboe Part (of 5)
Oboe Part from the Source Material
Cover Page of Source Material
Cover Page for Katherine Needleman's Edition
Notes included in the Piano Reduction and Oboe Part
First Page of the Piano Reduction (of 13)
First Page of the Oboe Part (of 5)
Oboe Part from the Source Material

Madam Laschanzky: Oboe Concerto

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Madam Laschanzky is a mystery, and so is her Oboe Concerto in B Flat Major. Her nationality, dates (late 18th century?), and first name are only a guess at this point. I found the parts (there was no score despite my looking very hard) for this concerto in several places on the internet, though the hard copies are in a library in Germany. They were handwritten, potentially in Madam Laschanzky's hand, or someone else's--it is really anyone's guess. Since the parts were full of all types of errors and inconsistencies, I have done my best to correct them in a compelling way. The parts sold here required quite a bit of restoration, "filling in the blanks" and "letting go of the Urtext," if you will--lovingly done, if not intelligently and authentically so.

This piece, an oboe concerto by a Baroque woman composer, is fully under the control of an early high school oboist, someone who could play the Marcello Concerto. I would grade it a 4 or 5 based upon the scale the Maryland Music Educators Association has put forth with other repertoire for their Solo and Ensemble Festivals.

This three-movement work runs between eight and ten minutes in length. The piano reduction and oboe solo part can be heard in a performance by the restorer/editor/arranger here.

You are purchasing personalized PDF files which usually arrive within 24 hours to your email address. They are ideal for reading on an iPad but also can be printed. They are for your personal use as well as your collaborators in your performances.

At the request of clarinetists, I have a set of parts identical to the oboe version, but with the solo instrument as Clarinet in B Flat. Editions for English horn and Oboe d’Amore involve altered string parts in the key of G major. Rehearsal tracks in G Major are not yet available, but forthcoming, so you will have to select “no” in order to purchase those for now.